When American Idiot closed, the new century went unrepresented, but Broadway rock fans, don't despair! Late 60's psychedelic tunes are back! Let the sunshine in! Hair is back! Last time around, I wasn't blogging, so I thought I'd take this second chance to talk about its colorful logo.
Like most of the best Broadway logos, this show's is a hit in four ways: its title is easy to discern, it is noticeably colorful, it easily changes into "variations on a theme," and its largest logo tells the story of the show without giving too much away.
The vibrant blue color and the radiating sunburst of lines, to me, at least, suggest both the natural "sun" element, astrologically and naturally associated with the hippies, who make up the "American tribe," named in the show's subtitle. While the combination of the lines and the blended colors in the title resemble tie-dyed clothing, another iconic element of the free love movement. And you can see that it works just as well in reverse.
The simplicity of the lettering reminds me of both the lettering on so many protest placards, and, somehow, computerized lettering, which ultimately brings the show from the sixties fully into the 21st century. How fitting, given this particular production's relationship to the times in which we live,
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